James E. Cutting
Professor
- email : jec7@cornell.edu
- fax : 607-255-8433
- phone :
- 270 Uris Hall
- Cornell University
- Ithaca NY 14853-7601
-
Office Hours:
M 9:45 - 11:15
Interests
Art and psychology; perception of cinema and pictures; perception of motion, depth, and layout; event perception; structural and functional analyses of perceptual stimuli.
Editor, Psychological Science, 2003-2007
Perception, Cognition & Development
>
Selected Publications
- Cutting, J.E. (in press). The end of art? Empirical Studies in the Arts
- Cutting, J.E. (2007). Rhythms of research. Psychological Science, 18, 1023-1026.
- Cutting, J.E. (2006). Impressionism and its canon. Lanham, MD: University Press of America.
- Cutting, J.E. (2006). Framing the rules of perception: Hochberg vs. Galileo, Gestalts, Garner, and Gibson. In M. A. Peterson, B. Gillam, & H. Sedgwick (Eds.), In the mind's eye: Julian Hochberg on the perception of pictures, film, and the world. New York: Oxford University Press. 495-503.
- Cutting, J. E. (2005). Perceiving scenes in film and in the world. In J. D. Anderson & B. F. Anderson (ed). Moving image theory: Ecological considerations (pp. 9-27). Carbondale, IL: Southern Illinois University Press.
- Cutting, J.E. (2003). Gustave Caillebotte, French Impressionism, and mere exposure. Psychonomic Bulletin & Review, 10, 319-343.
- Cutting, J.E. (2003). Reconceiving perceptual space. H. Hecht, R. Schwartz, & M. Atherton (Eds.) Looking into pictures: An interdisciplinary approach to pictorial space, Cambridge, MA: MIT Press. pp. 215-238.
- Cutting, J.E. (2002). Representing motion in a static image: Constraints and parallels in science, art, and popular culture. Perception, 31, 1165-1194.
- Cutting, J.E., Alliprandini, P.M.Z., & Wang, R.F. (2000). Seeking one's heading through eye movements. Psychonomic Bulletin & Review. 7, 490-498.
- Cutting, J.E. (2000). Images, imagination, and movement: Pictorial representations and their development in the work of James Gibson. Perception, 29, 635-648.
Links
- Association for Psychological Science
- Psychology 2050/6050: Perception
3/4 credits
Fall 2008 information. Introductory investigation of all sensory modalities. A user's manual for your body. Psych 6050 is for graduates students only. - Psychology 3050/6121: Visual Perception
4 credits, also Visual Studies 3305
Spring 2009 information. A sustained investigation of depiction of depth and time from Paleolithic art to MTV. - Psychology 6220: Perception, Cognition, and Development (P.C.D.) Lunch
Spring 2009 information. A topics oriented seminar for graduate students and faculty. 0 credits >
updated on Tuesday, Jul 28 2009 @ 4:17pm
